Introduction
Traduzione Canzone Predador De Perereca: In the world of global music trends, few songs have sparked as much surprise and amusement as “Predador de Perereca” by Brazilian funk artist MC Jhey. Originally released in 2015, this track has experienced a massive resurgence in popularity thanks to an AI-generated remix that reimagines it in a retro 1980s pop style. The song’s catchy melody has inspired countless TikTok dances and challenges, but its explicit lyrics—once translated—have left many listeners shocked and horrified. The title itself, “Predador de Perereca,” translates to “Predator of the Tree Frog” in literal terms, but in Brazilian Portuguese slang, “perereca” is a vulgar term for female genitalia, making it “Pussy Predator.” This article dives deep into the song’s background, its artist, the full lyrics with an English translation, the cultural context, and why it’s blowing up on social media platforms like TikTok.
Who Is MC Jhey?
Traduzione Canzone Predador De Perereca: MC Jhey, whose real name is Jeyson Ferrari, is a prominent figure in Brazil’s funk carioca scene, a genre originating from the favelas of Rio de Janeiro and São Paulo that blends hip-hop, electronic beats, and themes of street life, partying, and sexuality. Born around 2004 in Sumaré, São Paulo, Brazil, Jhey began his musical journey at a young age, performing funk tracks during school events. By his late teens, he had already built a reputation for blending styles like funk paulista, brega funk, and funk ostentação—subgenres known for their energetic rhythms and bold lyrics.
Jhey’s discography includes hit singles that have garnered millions of streams, and he has collaborated with other Brazilian artists in the genre. His rise has been marked by a mix of raw talent and social media savvy, with tracks like “Predador de Perereca” showcasing his unapologetic approach to explicit content. In 2025, at around 21 years old, Jhey solidified his status as one of the most talked-about funk artists, thanks in part to viral remixes and partnerships. Despite starting young—releasing music as early as 2015 when he was about 11—his work resonates with themes common in Brazilian funk, often drawing from favela life and youthful bravado.
The Song’s Background and Release
“Predador de Perereca” was released on August 19, 2015, as part of MC Jhey’s early catalog under labels like BLOW RECORDS. It’s a classic example of funk carioca (also known as baile funk), characterized by heavy bass, repetitive hooks, and lyrics that celebrate hedonism, sexual exploits, and street culture. The song didn’t achieve massive mainstream success upon release but became a underground hit in Brazil’s funk scene.
In 2025, the track exploded internationally due to an AI-generated remix that transforms its raw funk energy into a synth-heavy, nostalgic ’80s pop sound. This version, often credited to BLOW RECORDS & MC Jhey, has been streamed millions of times and used in viral TikTok videos. The remix’s upbeat, danceable vibe contrasts sharply with the song’s NSFW content, leading to humorous “reaction” videos where non-Portuguese speakers discover the true meaning.
Lyrics and English Translation
The lyrics of “Predador de Perereca” are straightforward and explicit, focusing on themes of group sexual encounters, bravado, and favela pride. Below is a side-by-side comparison of the original Portuguese lyrics and their English translation. The translation aims to capture the slang-heavy, informal tone while remaining faithful to the original.
| Original Portuguese | English Translation |
|---|---|
| [Verso] Espetacular o sorriso dessa princesa É de impressionar quando arrasto ela pra treta Não chama as amiga’, só ela dá conta Pra três ela senta, mais três ela mama então | [Verse] The smile of this princess is spectacular It’s impressive when I take her to the mess She doesn’t call her friends, she can handle it by herself She rides three and sucks three more, so |
| [Refrão] Eu, tu, nós bota nela O bonde chegou, é os predador de perereca Sapeca a pepeca, divide essa tcheca Vai sentar com força pros menino’ da favela então (Repeated 3 more times) | [Chorus] Me, you, we put it in her The crew arrived, we are the pussy chasers Spank that pussy, share this coochie You’re gonna ride hard on the boys from the favela, so (Repeated 3 more times) |
| [Verso] Espetacular o sorriso dessa princesa É de impressionar quando arrasto ela pra treta Não chama as amiga’, só ela dá conta Pra três ela senta, mais três ela mama então | [Verse] The smile of this princess is spectacular It’s impressive when I take her to the mess She doesn’t call her friends, she can handle it by herself She rides three and sucks three more, so |
| [Refrão] Eu, tu, nós bota nela Yuri Martins chegou, é o predador de perereca Sapeca a pepeca, divide essa tcheca Vai sentar com força pros menino’ da favela então Eu, tu, nós bota nela O bonde chegou, é os predador de perereca Sapeca a pepeca, divide essa tcheca Vai sentar com força pros menino’ da favela então (Repeated 2 more times) | [Chorus] Me, you, we put it in her Yuri Martins arrived, he’s a pussy chaser Spank that pussy, share this coochie You’re gonna ride hard on the boys from the favela, so Me, you, we put it in her The crew arrived, we are the pussy chasers Spank that pussy, share this coochie You’re gonna ride hard on the boys from the favela, so (Repeated 2 more times) |
Key slang notes:
- “Perereca/pepeca/tcheca”: All euphemisms for vagina, emphasizing the song’s predatory and objectifying tone.
- “Bonde”: Refers to a “crew” or group of friends, common in favela slang.
- “Senta/mama”: Vulgar terms for sexual acts (riding/sucking).
- “Yuri Martins”: Likely a shoutout to a collaborator or friend in the funk scene.
The repetitive chorus reinforces the song’s hook, making it memorable despite (or because of) its crudeness.
Meaning and Cultural Context
At its core, “Predador de Perereca” is a boastful anthem about sexual conquests, portraying the protagonists as “hunters” in a group dynamic. The lyrics describe a woman engaging with multiple men simultaneously, framed as empowering for her (“she can handle it by herself”) but ultimately objectifying. This fits within the broader tradition of Brazilian funk, which often explores taboo topics like sex, violence, and poverty with humor and exaggeration. Funk carioca emerged in the 1980s and ’90s as a voice for marginalized communities in Brazil’s favelas, blending Miami bass influences with local rhythms.
Critics argue that such lyrics perpetuate misogyny, while fans see them as playful banter reflective of street culture. The song’s title plays on double entendre—literal frog predator vs. sexual innuendo—adding to its cheeky appeal. In a global context, its explicitness has drawn comparisons to other shock-value hits, but it’s the contrast with the innocent-sounding remix that amplifies its impact.
The Viral TikTok Phenomenon
The song’s 2025 revival stems from TikTok, where the AI remix’s upbeat ’80s vibe has users creating dance videos, often unaware of the lyrics’ meaning. Trends include playing the track for Brazilian family members and capturing their reactions—ranging from laughter to disgust—with captions like “She did NOT like it” or “I think he’s traumatized.” Hashtags such as #brazilianfunk, #fyp, and #reaction have propelled it to millions of views.
This mirrors other viral moments, like remixes of suggestive songs turned family-friendly (e.g., Kidz Bop versions), but here the reveal is the opposite: innocent melody hiding raunchy content. The trend has crossed borders, introducing non-Portuguese speakers to Brazilian slang and sparking discussions on cultural translation and music’s global reach.
Conclusion
“Predador de Perereca” exemplifies how a decade-old track can find new life through technology and social media. While its explicit lyrics may shock, they offer a window into Brazilian funk’s unfiltered world. For fans of global music, translating and understanding such songs enriches the experience, turning a simple dance trend into a cultural conversation. Whether you’re grooving to the remix or dissecting its slang, MC Jhey’s hit proves that music’s power lies in its ability to surprise and connect.